Looking back, I'm pretty sure there isn't some dramatically divergent path from the outcome I reached. Just put him out when he catches on fire. She was reeled back in by choosing her for the major mission (where her performance, I thought, was a lot stronger than Drax's would have been). That alienated Gamora, who likewise needs emotional support, but also has to be told to stop whining. I tried to patch things up with Rocket by endorsing one of his typically tasteless ideas, in the chapter's major choice.
As big and mighty as Drax is, physically, he is earnest and emotionally delicate, and I don't want someone so destructive to check out in a key situation. I put things in a bad spot when I shit-talked Rocket for shit-talking Drax. It's not like everyone started out pissed at one another, with all the expository dialogue that would require. The grudges largely developed through my dialogue choices after the first action sequence. There are two big fights in Guardians of the Galaxy's first chapter, but its real conflict is spoiler-proof: The team is, big surprise, at each other's throats. Guardians of the Galaxy: The Telltale Series’ first chapter is perfectly that. The developer’s narrative catalog, spanning The Walking Dead, Batman and Borderlands, is best when I feel myself leaning into it, like reading a good paperback, or a captivating comic book - but when the story starts to slip in a direction I don't like, I get to put a thumb on the scale to bring it all back. Telltale put me among a gang of misfits who really need each other, and threatened just enough to break that all up that it influenced my decisions. Yet as all this was going on, Guardians of the Galaxy radiated a good-times vibe worth preserving.
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